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Attention !!! Ce produit est un import. Si les informations \'langues\' et \'sous-titres\' n\'apparaissent pas sur cette fiche produit, c\'est que l\'éditeur ne nous les a pas fourni. Néanmoins, dans la grande majorité de ces cas, il n\'existe ni langue ni sous titres en français sur ces imports.

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Royaume-Uni Edition, PAL/Region 2 DVD: SON: Anglais ( Dolby Digital 2.0 ), SUPPLEMENTS: Accès De Scène, Ensemble 2-DVD, Menu Interactif, Non coupé, SYNOPSIS: Nick Faunt is a Manchester millionaire's son who, at the height of the Depression, leaves home to become an artist, embracing a life of bohemian freedom but also of poverty and hardship. When he meets Irish serving girl Anna Fitzgerald in the Cheshire countryside, a strange love story begins... This seven-part Granada Television adaptation of Howard Spring's best-selling novel, originally transmitted in 1973, features RSC player John Nolan as Nick and Prunella Gee as Anna; Sharon Maughan makes her TV debut as the other woman in Nick's life, the glamorous and ambitious Rachel Rosing. While Coronation Street contributors Geoffrey... Abréger

Pages: 157, Relié, Busse-Seewald Verlag

Most people are familiar with the hallmarks of Rachel Ashwell's shabby chic style: fabrics in pastel florals and stripes, chintz sofa covers, antique-store and yard-sale finds turned into home furnishings and accessories. At the heart of this breezy style is a very practical idea: don't buy new--use what you have or can find at thrift stores and secondhand shops and enjoy the old-fashioned charm that only aged pieces acquire. The same idea goes for houses. The Shabby Chic Home shows how an older home can take on a shabby chic appeal by being brought up to date without sacrificing any of its charm. In The Shabby Chic Home, Ashwell walks readers through the renovation of her own 1920s home, from the purchase of the originally dark and gloomy house through the repainting (using layers and... Abréger

Edition: Min, Papeterie, CICO Books

Pages: 208, Edition: Reprint, Broché, Harper Design

Reliure inconnue, CICO Books

Carnet, journal, CICO Books

Pages: 192, Relié, CICO Books

Pages: 174, Broché, Eyrolles

Pages: 144, Relié, Busse-Seewald Verlag

Pages: 176, Relié, CICO Books

Fetherhoughton, the shabby and provincial village of Hilary Mantel's fifth novel, Fludd, possesses a charm that is, at best, latent. The surrounding moorland is foreboding, the populace is querulous and ill-educated, and the presiding priest is an atheist. It's 1956, and drabness is general to this English backwater. Until, that is, the appearance of a disarming young priest who, apparently, has been dispatched to wrest Fetherhoughton out of its superstitious stupor. One of the novel's several wonders is that Fludd surpasses all expectations. Father Angwin, Fetherhoughton's disbelieving priest, has--much to the displeasure of his superiors--grown comfortable with the entrenched, misapprehending devoutness of his flock. Fludd, who may or may not be the curate sent to deliver the wayward,... Abréger

Amazon Significant Seven, March 2008: A quick Internet search for "Knockemstiff, Ohio" reveals a lazy nexus of shabby houses and dirt roads in southern Ohio, lacking a post office and grocery store, but rich in legends of epic fistfights and swamp-dwelling ghosts. Donald Ray Pollock, a native of this "ghost town," populates his own Knockemstiff with living revenants: huffers, murderers, sex fiends, and their hapless (though not innocent) victims, all tethered to the woebegone "holler" by their own self-inflicted shortcomings and depravities. Pollock pulls no punches--his prose is blunt and visceral, as well as stylish and skilled--and reading these mini grand guignols can be like crunching on a mouthful of your own broken teeth. He resists casting judgment (or sympathy) on his doomed... Abréger

Amazon Significant Seven, March 2008: A quick Internet search for "Knockemstiff, Ohio" reveals a lazy nexus of shabby houses and dirt roads in southern Ohio, lacking a post office and grocery store, but rich in legends of epic fistfights and swamp-dwelling ghosts. Donald Ray Pollock, a native of this "ghost town," populates his own Knockemstiff with living revenants: huffers, murderers, sex fiends, and their hapless (though not innocent) victims, all tethered to the woebegone "holler" by their own self-inflicted shortcomings and depravities. Pollock pulls no punches--his prose is blunt and visceral, as well as stylish and skilled--and reading these mini grand guignols can be like crunching on a mouthful of your own broken teeth. He resists casting judgment (or sympathy) on his doomed... Abréger

Wanda Petronski lives way up in shabby Boggins Heights, and she doesn't have any friends. Every day she wears a faded blue dress, which wouldn't be too much of a problem if she didn't tell her schoolmates that she had a hundred dresses at home--all silk, all colors, and velvet, too. This lie--albeit understandable in light of her dress-obsessed circle-- precipitates peals of laughter from her peers, and she never hears the end of it. One day, after Wanda has been absent from school for a few days, the teacher receives a note from Wanda's father, a Polish immigrant: "Dear teacher: My Wanda will not come to your school any more. Jake also. Now we move away to big city. No more holler Polack. No more ask why funny name. Plenty of funny names in the big city. Yours truly, Jan Petronski." ... Abréger

The shabby chic design of the Tingle London Sterling Silver Dressing Table Charm is a must have for any Boudoir. The Dressing Table Charm is intricately crafted in silver and compliments the 'pamper time' theme with the hand mirror and make up box charms. The Tingle Star is attached to confirm it is a genuine Tingle London Sterling Silver Charm.

Bernard Lewis is the West's greatest historian and interpreter of the Near East. Books such as The Middle East and The Arabs in History are required reading for anybody who hopes to understand the region and its people. Now Lewis offers What Went Wrong?, a concise and timely survey of how Islamic civilization fell from worldwide leadership in almost every frontier of human knowledge five or six centuries ago to a "poor, weak, and ignorant" backwater that is today dominated by "shabby tyrannies ... modern only in their apparatus of repression and terror." He offers no easy answers, but does provide an engaging chronicle of the Arab encounter with Europe in all its military, economic, and cultural dimensions. The most dramatic reversal, he says, may have occurred in the sciences:... Abréger

In Tama Janowitz's story collection of mid-1980s manners, it's all about real estate. Her coterie of New York artists and grad students, junkies and collectors dwells in walk-ups and covets lofts. The occasional socialite wafts through, characterized tersely by statements of fact; for example, "Millie owned her own co-op." But, for the most part, these are the also-rans of Manhattan life, literally looking for a toehold in the city. The main character who emerges is shabby Eleanor, an appealing heroine who appears in several linked stories. A jewelry maker, she lives with an artist named Stash and a treasure-trove of insecurities. Much is made of the squalor of their apartment. In Eleanor, Janowitz finds a channel for her vulnerability--a nice counterpoint to her affectless prose, which... Abréger

Here is one of Puccini's greatest hits, in an affordable version for complete orchestra. This story of love, art and death in Rome during the Napoleonic wars is today considered a classic for such arias as "Vissi d'arte" (I lived for art; I lived for love), but at its premiere in 1900 it was denounced as "a shabby little shocker," for things like Baron Scarpia's lechery and Tosca's termination of him with extreme prejudice. Be aware that Dover's scores are reprints from other companies that are now out of copyright; that means that they're older versions, and lack such amenities as English translations.

Five words of advice on reading Elizabeth Bowen: Resist the urge to skim. In The Death of the Heart, Bowen's writing rolls ever onward, accruing the sensations and ironies of conscious living till the final effect is massive. This is not prose for people who like their fiction with a cool, Calvin Klein-like minimalism. Bowen's people are keenly aware, and she seems to catalogue every sweaty moment, every betraying glance. The reader must stay right there with her, because hidden among lengthy descriptions of sea air and drawing-room politics are pithy asides worthy of great humorists: "Absence blots people out. We really have no absent friends." Skimmers miss out. The Death of the Heart is Bowen's most perfectly made book. Portia, an orphan, comes to live in London with her half-brother,... Abréger

Five words of advice on reading Elizabeth Bowen: Resist the urge to skim. In The Death of the Heart, Bowen's writing rolls ever onward, accruing the sensations and ironies of conscious living till the final effect is massive. This is not prose for people who like their fiction with a cool, Calvin Klein-like minimalism. Bowen's people are keenly aware, and she seems to catalogue every sweaty moment, every betraying glance. The reader must stay right there with her, because hidden among lengthy descriptions of sea air and drawing-room politics are pithy asides worthy of great humorists: "Absence blots people out. We really have no absent friends." Skimmers miss out. The Death of the Heart is Bowen's most perfectly made book. Portia, an orphan, comes to live in London with her half-brother,... Abréger

London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight. In Keep the Aspidistra Flying, George Orwell has created a darkly... Abréger